Climate art is booming. Saving the planet is the big theme of biennials and art museums. At the same time, the cultural industry with international events is itself producing lots of Co2. What is the task of art in times of climate change? A contribution by Frauke Schlieckau for 3Sat Kulturzeit.
ON SCREEN: MENSCH. HERBERT. 29.05.2020. 21.45, Arte
With more than 20 million albums sold, Herbert Grönemeyer is considered the most successful German musician of all time.
For ARTE, this is an occasion to honor the work of this exceptional talent with the documentary “Mensch.Herbert“, which picks out special highlights from the various decades and areas of his career and fans them out kaleidoscopically. The result is a mixture of film and multiple video installation in a post-industrial look. The film enables the audience to get unusually close to Germany’s model musicians, especially through the close interweaving of archive material and detailed, very personal statements by Grönemeyer. The film can now also be seen in the Arte media library.
Documentation 2016, directed by Hannes Rossacher with the collaboration of Frauke Schlieckau. A production by Kobalt Productions.
IN PRODUCTION: CASPAR DAVID FRIEDRICH – A WANDERER BETWEEN THE WORLDS. Arte, 52 min.
Caspar David Friedrich is a monumental artist, a wanderer between different worlds, between past and present. His works speak of feelings that each of us knows, tell of longing, loneliness, being abandoned. The painter’s paintings are pervaded by a melancholy that serves as his cloak. A cloak in which he wraps the person to make the experience of loneliness and the knowledge of death more bearable. Friedrich found this feeling in himself. The early Romanticist held the opinion that a painter should not paint what he sees before him, but what he sees in himself. A resolution he pursued relentlessly and implemented consistently. This enabled him to capture a universal experience on canvas: The inevitability of knowing that we enter the world alone and leave alone. This is precisely why Caspar David Friedrich’s work is so timeless.
Director: Nicola Graef / Frauke Schlieckau, a Lona Media production
ONLINE: WE ARE PLEASED TO PROVIDE THE TELEMEDICINE START UP ZAVA WITH CONTENT FOR ITS CORONA PREVENTION
As a pioneer in the field of telemedicine, the online medical practice Zava, founded in 2011, has to date carried out more than three million treatments in Germany, Austria, Switzerland, France, Ireland and England. Now the start-up of entrepreneur David Meinertz has decided to set up a free corona consultation and a detailed information page on Covid-19 for his patients. Bottega Berlin Productions is delighted to be able to produce such useful content at this critical time.
ONLINE: WE ARE HAPPY TO SUPPORT THE BERLIN BASED START UP LEGAL OS WITH CUSTOM-MADE CONTENT
The Legal OS platform enables law firms to automate the drafting of contracts using special software and to create digital contract templates. Behind Legal OS stands an interdisciplinary team of engineers, lawyers, product specialists and researchers who are building a new infrastructure for law. Legal OS is a venture-funded start-up with offices in the heart of Berlin.
ON SCREEN:JÈRôME BEL – LIGHT-FOODED DANCE WITHOUT CO2 FOOTPRINT, ARTE METROPOLIS 15.03., 16.45 PM
IN PRODUCTION: CLIMATE CHANGE IN THE ARTS (SRF), 52 min.
Climate art is booming. The saving of the planet is the big theme of the biennials and art museums. Climate political art á la Olafur Eliasson’s “Iceberg melts before our eyes” is a strong picture and morally on the right side. But in many cases also “folkloric kitsch” (Harald Weltzer). And sometimes even simply bigoted: because the international art scene with its biennials and fairs is an unparalleled CO2 catapult. What is the task of art in climate change? Shaking up at any price – as do the artistic forms of action of Exctinction Rebellion? Or rather think more modestly and reduce your own CO2 footprint – with less and different art. The documentary explores this question. A production by Kobalt Productions
ON SCREEN: FEELINGS! FOR ARTE METROPOLIS. SUNDAY, 01.03., 16.45, ARTE
Contemporary art has a difficult time. “Aloof”, “absurd”, “incomprehensible” – many think so and leave the discourse to intellectuals. Yet anyone could understand art if only one more language were to establish itself: that of emotions. This is the opinion of Nicola Graef, curator of the exhibition “Feelings” at Munich’s Pinakothek der Moderne, artist Alexandra Ranner, and neuroscientist Hannah Monyer.
ON SCREEN: METROPOLIS HEIDELBERG – HIGH CULTURE AND SUBCULTURE. FOR ARTE METROPOLIS. SUNDAY, 01.03, 16.45, ARTE
Outside view: idyllic postcard motif. Behind the scenes, an alternative network of artists opens its doors. The Heidelberg Castle is one of the most popular sights in Germany. Heidelberg’s dollhouse-like Old Town has become a romantic destination of yearning. But what does it look like apart from the well-known clichés? “Metropolis” visits the city on the Neckar River and talks to hiphop legend Toni L., publisher Manfred Metzner and artist Cholud Kassem.
IN PRODUCTION: PORTRAIT JÉRôME BEL FOR ARTE METROPOLIS
Jérôme Bel is one of the stars of the international dance scene. His pieces are shown all over the world, from Australia to Thailand to America. For years, the Frenchman did travel around the world with his dancers, but that is all over now. Jerome Bel doesn’t fly anymore, for the sake of the climate. For Arte Metropolis, Frauke Schlieckau visited the choreographer in Paris and talked to him about the impact his climate activism has on his art.