“Would you take up arms for your country if the worst came to the worst?” For Maksym Rokmaniko, architect and founder of the Ukrainian Center for Spacial Technologies, this is no longer a theoretical question. He may have left his country, but he still fights for its liberation – with the tools and methods of architecture and forensics. Together with Eyal Weizman and the renowned research agency Forensic Architecture, he investigated the Russian attack on the TV tower in Kiev. Their goal: to counter Putin’s narrative with the truth. A production by Bottega Berlin Productions for ZDF aspekte/3Sat Kulturzeit.
ON SCREEN: MUSIC OF THE FUTURE – HOW CLASSICAL MUSIC IS REINVENTING ITSELF. 19.06.2022, 23.00, SRF
Opera and classical concerts are out. Audience numbers have been declining for years. Young audiences simply don’t want to hear anything more about classical music. It almost seems as if the industry has lost touch. What must the industry do to successfully save classical music through the 21st century? And if so, how? Written and directed by Frauke Schlieckau. A Bottega Berlin production for Neue Zürcher Zeitung / SRF / 3Sat. 30 min
ON SCREEN THE END OF INDIVIDUALISM. DO WE NEED MORE PUBLIC SPIRIT AGAIN? 10.06.2022, 11 p.m. ZDF aspekte
The consequences of Corona, war, migration and climate change are unmistakable. Our society is in the midst of a process of active upheaval. ZDF aspekte asks: Do we have to limit our individuality in order to exist as a community? With Forensic Architecture, Oscar Murillo and Norbert Bisky. Written and directed by Frauke Schlieckau & Johannes Nichelmann. A production of Bottega Berlin Productions & Studio Jot.
PRESS: MONOPOL STREAMING TIPS. ART FILMS WORTH WATCHING IN FEBRUARY.
The art magazine Monopol has this to say about “Rembrandts Century: Art, Market and Business”: “For her documentary, the film’s maker Frauke Schlieckau looked over the shoulder of Rembrandt collector Thomas Kaplan, among others, as he opened a box containing the smallest of Rembrandt’s paintings. She zoomed in on paintings that are usually hidden from public view. She also spoke with Baukje Coenen of Sotheby’s about the (metaphorical and literal) complexity of the paintings – and about how restorers bring their secrets to light. The result is a tribute to the Dutch golden boy, sustained by the interviewees’ love of his paintings. It’s a film that paints a picture of the era that produced Rembrandt, contrasts him with other painters of his own time like Jan Vermeer, and illuminates what is still admired about him today.”
PREMIERE: REMBRANDTS AGE. ART, MARKET AND BUSINESS. Tuesday 07.12.2021, 18. p.m. Hamburger Kunsthalle
“Rembrandt’s Age. Art, Market and Business.” The Netherlands was a country of superlatives in the 17th century: the economy was booming: never before or since had such quantities of art been produced – and traded – in any country. New genres for new groups of buyers emerged. How did this come about? Written and directed by Frauke Schlieckau. Arte, 52 min.
IN PRODUCTION: I CREATE THEREFORE I AM! THE SELFPORTRAIT IN ART Friday, 26.11.2021, 23.30 p.m. ZDF aspekte
I create, therefore I am. Art is the expression of the uniqueness of the individual. Whether it’s Rembrandt, Dürer, Frido Kahlo or Cindy Sherman – if you want to be an artist, you show yourself and your art. But why? A short excursion into the history of the self-portrait. A Bottega Berlin production for ZDF aspekte.
IN PRODUCTION: I CREATE THEREFORE I AM! THE SELFPORTRAIT IN ART Friday, 26.11.2021, 23.30 p.m. ZDF aspekte
I create, therefore I am. Art is the expression of the uniqueness of the individual. Whether it’s Rembrandt, Dürer, Frido Kahlo or Cindy Sherman – if you want to be an artist, you show yourself and your art. But why? A short excursion into the history of the self-portrait. A Bottega Berlin production for ZDF aspekte.
ON SCREEN: FASHION DESIGNER EDWARD CRUTCHLEY, Friday, 12.11.2021, 23.30 p.m, ZDF aspekte & 17.11.2021, 19.20 p.m 3Sat Kulturzeit
A male model in a ball gown, a man in a swimsuit: with “genderbending,” British fashion designer Edward Crutchley challenges the traditional understanding of gender roles. For his current collection, the Briton was influenced by the queer culture of the 17th century. But is the future of fashion really gender-neutral? Written and directed by Frauke Schlieckau. A Bottega Berlin production for ZDF aspekte and 3sat Kulturzeit. 5 min,
IN PRODUCTION: MUSIC OF THE FUTURE: HOW CLASSICAL MUSIC IS REINVENTING ITSELF
Opera and classical concerts are out. Audience numbers have been declining for years. Young audiences just don’t seem to want to know anything about classical music anymore, preferring to go to festivals and electro concerts. They are socialized with pop music and don’t care much about what Brahms and Beethoven have to say. It almost seems as if the industry has lost touch. Is classical music still relevant or has it already fallen out of time? Can young musicians still successfully save it through the 21st century? And if so, how? Written and directed by Frauke Schlieckau. A Bottega Berlin production for Neue Zürcher Zeitung / SRF / 3Sat. 30 min.
IN PRODUCTION: FASHION DESIGNER EDWARD CRUTCHLEY – IS THE FUTURE OF FASHION GENDER NEUTRAL?
A male model in a ball gown, a man in a swimsuit: with “genderbending,” British fashion designer Edward Crutchley challenges the traditional understanding of gender roles. For his current collection, the Briton was influenced by the queer culture of the 17th century. But is the future of fashion really gender-neutral? Written and directed by Frauke Schlieckau. A Bottega Berlin production for ZDF aspekte and 3sat Kulturzeit. 5 min,