Alongside Rembrandt and Vermeer, Frans Hals is one of the key figures of 17th century Dutch art. But unlike his contemporaries, who tended to paint gloomy or pensive pictures, the Haarlem artist was entirely devoted to joy. Frans Hals painted people who could barely conceal their lust for life – at a time when it was frowned upon to show teeth. The film explores the role that laughter plays in the art of Frans Hals and in our lives today. GET YOUR TICKETS HERE
IN PRODUCTION: REMBRANDTS HEIRS
Rembrandt has strongly influenced art over centuries. Not only through his masterpieces but also through his work as a teacher. The knowledge he taught his students was adopted by them. They incorporated it into their own art and passed it on to those who came after them. In this way, the universal messages inscribed in his paintings have also been passed on. Art that directly or indirectly bears Rembrandt‘s influence can therefore be found in every epoch of art history – until today. But why was Rembrandt such a great teacher for human kind? What makes the old master still so relevant in the 21st century? And what can we still learn from him today? Together with the world‘s largest collector of Rembrandt and his pupils, Thomas Kaplan, contemporary artists and art experts, the film goes on the trail of Rembrandt – from Leiden to Amsterdam, to London, Paris and New York – and tells the story of the great master and those who followed him. Script & Direction: Frauke Schlieckau. A Bottega Berlin Production. In cooperation with The Leiden Collection.
ON SCREEN: CASPAR DAVID FRIEDRICH. WANDERER BETWEEN THE WORLDS. ON VIEW AT THE MUSEUM GEORG SCHÄFER
Caspar David Friedrich is considered one of the greatest landscape painters ever. Almost forgotten after his death, his fog-shrouded landscapes and lonely mountains were able to unfold an unimagined effect in the 20th century. The one-hour Arte documentary “Caspar David Friedrich. Wanderer between the Worlds” by Nicola Graef and Frauke Schlieckau tells of the painter’s life in Greifswald and Dresden and searches for traces in the Elbe Sandstone Mountains and on the Baltic Sea. Now the film can be seen in the exhibition “Caspar David Friedrich and the Harbingers of Romanticism” at the Museum Georg Schäfer.
IN PRODUCTION: PARALLEL WORLDS. WHAT IS REALITY? Friday, 13 January 2023, ZDF aspekte
A “truth”, a “reality” has not existed for a long time. If there ever was one. Putin, vaccination deniers, Mark Zuckerberg and his Metaverse – since digitalisation, it’s easier than ever to build new worlds, find approval and confirmation for one’s own worldview and simply block out the rest. But what are the consequences for our lives when reality feels increasingly surreal? When one can no longer agree on and rely on truths, values and norms? What does this mean for togetherness in the global community? And can culture help us to successfully counter this development? Written and directed by Frauke Schlieckau. A Bottega Berlin production for ZDF aspekte. 43 min.
ON SCREEN: ALICE NEEL. FACES OF AMERICA: Wednesday, 16th November, 01.55 a.m.
With unusual psychological and artistic brilliance, Alice Neel (1900-1984) painted the most interesting subject she could imagine: People. Like many great artists of her time, she was mostly not very successful during her lifetime, and even after her death she was not duly recognized for a long time. Today she is one of the most important artists in America. For Neel’s entire oeuvre is an expression of the deepest humanity. In her paintings, the American captured souls and used socially relevant themes. But why did she paint portraits almost exclusively, and what made the genre so appealing? How did the American artist manage to capture people’s souls in her portraits? And what do Neel’s portraits and self-portraits reveal about the time in which she lived and about her own artistic soul? Written / directed by Frauke Schlieckau. A Lona Media production.
PRESS: “THE PAINTER ALICE NEEL. FACES OF AMERICA” IN THE MONOPOL ART FILMS WORTH WATCHING IN NOVEMBER
The art journal Monopol writes in its “11 Art Films Worth Watching in November” about Frauke Schlieckau’s documentary “The Painter Alice Neel. Faces of America”: “The film is a sensitive approach to a chronicler of her time and an appreciation of her (late-discovered) art.” You can find the full Monopol article, here.
The painter Alice Neel: Faces of America”, to be seen in the Arte Media Library, until 6 January 2023.
ON SCREEN: ALICE NEEL. FACES OF AMERICA: Sunday, 11/09, 4.51 p.m.
With unusual psychological and artistic brilliance, Alice Neel (1900-1984) painted the most interesting subject she could imagine: People. Like many great artists of her time, she was mostly not very successful during her lifetime, and even after her death she was not duly recognized for a long time. Today she is one of the most important artists in America. For Neel’s entire oeuvre is an expression of the deepest humanity. In her paintings, the American captured souls and used socially relevant themes. But why did she paint portraits almost exclusively, and what made the genre so appealing? How did the American artist manage to capture people’s souls in her portraits? And what do Neel’s portraits and self-portraits reveal about the time in which she lived and about her own artistic soul? Written / directed by Frauke Schlieckau. A Lona Media production.
ON SCREEN: RELOAD FOR THE ART WORLD. HOW ROBOTICS AND AI ARE CHANGING CREATIVITY. 10.09.2022, 7.10 p.m. 3Sat
Art is an expression of human experience, or so the conventional wisdom goes. But is this still true in the age of artificial intelligence, or can robots and algorithms also create works of art that touch us humans? Are the new technologies to be seen as an opportunity that expands and enriches the production of art, or rather as an approaching nightmare, because the machine threatens to replace man in the field of creativity as well? Written and directed by Frauke Schlieckau. A Lona Media production.
ON SCREEN: MUSIC OF THE FUTURE – HOW CLASSICAL MUSIC IS REINVENTING ITSELF. 21.08.2022, 7.10 p.m, 3Sat
Opera and classical concerts are out. Audience numbers have been declining for years. Young audiences simply don’t want to hear anything more about classical music. It almost seems as if the industry has lost touch. What must the industry do to successfully save classical music through the 21st century? And if so, how? Written and directed by Frauke Schlieckau. A Bottega Berlin production for Neue Zürcher Zeitung / SRF / 3Sat. 30 min
ON SCREEN. STOLEN YOUTH. CAN WE MAKE UP FOR LOST TIME? 12.08.2022, 11 p.m. ZDF aspekte
In the face of current crises, Generation Z sees its future melting away. What does it mean to lose one’s youth? aspekte asks: What happens to people who lose the most important years of growing up? Written and directed by Frauke Schlieckau and Johannes Nichelmann. A production of Bottega Berlin Productions and Studio Jot. 44 min.