Artist Tino Sehgal has long been concerned with sustainability, but didn’t want to put a “green label” on himself. For Monopol Online, Frauke Schlieckau spoke with him about climate protection in museums and art’s lack of a role model in environmental issues.
ON SCREEN: CLIMATE CHANGE IN THE ARTS, 27.06.2020 19.20, 3Sat
Climate art is booming. Saving the planet is a major theme of biennials and art museums. Climate art á la Olafur Eliasson is a strong image and morally on the right side. But in many cases also “folkloristic kitsch” (Harald Welzer). And sometimes also simply bigoted: because the international art scene with its biennials and fairs is producing a large amount of CO2 itself. What is the role of artists if it comes to dealing with climate change? To shake things up at all costs – just like the artistic forms of action of groups like extinction rebellion? Or to think more modestly and reduce their own CO2 footprint – with less and different art. The documentary explores this question.
Written and directed by Frauke Schlieckau. A production by Kobalt Productions
ON SCREEN:JÈRôME BEL – LIGHT-FOODED DANCE WITHOUT CO2 FOOTPRINT, ARTE METROPOLIS 15.03., 16.45 PM
For years the star choreographer Jérôme Bel jetted around the globe. But this is over now. The Frenchman no longer flies: for the sake of the climate. He is rehearsing the US version of his latest piece “Isadora Duncan” with dancer Catherine Gallant via Skype. Despite a six-hour time difference between Paris and New York and a poor online connection.