Contemporary art has a difficult time. “Aloof”, “absurd”, “incomprehensible” – many think so and leave the discourse to intellectuals. Yet anyone could understand art if only one more language were to establish itself: that of emotions. This is the opinion of Nicola Graef, curator of the exhibition “Feelings” at Munich’s Pinakothek der Moderne, artist Alexandra Ranner, and neuroscientist Hannah Monyer.